![\"A](\"http:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/bodycasting-photo12.jpg\")
\n One cast panel of Jamie McCartney\u2019s “Great Wall of Vagina.”<\/p>\n
British sculptor Jamie McCartney has been approached by medical textbooks looking to use photographs of his artwork for sections about vaginas. He\u2019s been told his \u201cGreat Wall of Vagina\u201d is the best source in the world for showing what normal vulvas look like.<\/p>\n
The Brighton-based McCartney created his \u201cWall\u201d as a commentary on the phenomenon of women getting cosmetic surgery because they don\u2019t like the look of their vaginas. The wall is made of plaster casts of women\u2019s vaginas. McCartney has completed 360 casts and hopes to do 40 more before the piece debuts this year at London\u2019s Hay Hill Gallery.<\/p>\n
\n One cast panel of Jamie McCartney\u2019s “Great Wall of Vagina.”<\/p>\n
Says McCartney: \u201cMy work is often a celebration of the female form, but at other times it is more of a celebration or even investigation of what it is to be female.\u201d<\/p>\n
He says he likes the immediacy and honesty of casting. \u201cI capture people as they are, rather than creating my version of how they are.\u201d<\/p>\n
Casting allows the artist to experiment in a variety of ways. Some of McCartney\u2019s casts are done of a subject\u2019s entire body, while others, like those in the wall, are of a specific area or body part.<\/p>\n
This accuracy is what makes body casting so popular today. It is even used in psychotherapy (often with an emphasis on full-body form, not just genitalia). By seeing themselves as they really are, women are able to overcome body-image issues, said Jamie Hurst, program coordinator at Hopewell Eating Disorders Centre in Ottawa.<\/p>\n
![\"Jamie](\"http:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/bodycasting-photo4.jpg\")
McCartney covers a live subject in plaster for a full-body cast.<\/p>\n
Body casting was used in Hopewell\u2019s prevention program for girls aged 11 to 14. \u201cWe used the body casting with them as a means of helping them to recognize that all of us have different body shapes and sizes, and no one shape and size is any less beautiful than another,\u201d Hurst said.<\/p>\n
The artist behind the mould<\/span><\/p>\n McCartney began his body-casting business in 2006. He juggles many projects as an artist, photographer, sculptor and body caster, but admits his fine-art ambitions have taken somewhat of a backseat with the success of his casts.<\/p>\n While artists have found commercial success in casting, others pursue the vocation from a medical standpoint.<\/p>\n Keon was shocked at how beautiful her body was when she first saw a cast of herself.<\/p>\n Julie Keon, an Ottawa body caster, began as a doula and has a background in social work. She began casting pregnant women\u2019s stomachs after a birthing client asked for help with an at-home casting kit she\u2019d bought.<\/p>\n Keon says she thinks more women would benefit from the use of body casting in psychotherapy. Like most of her clients, Keon herself was shocked at how beautiful her body was when she first saw a cast of herself. She said she thinks every woman could benefit from that experience.<\/p>\n Changing outlooks<\/span><\/p>\n To inspire and empower more women to accept and love their bodies, Keon displayed her casts in March 2010 as part of the \u201cBreaking the Mould\u201d event held at Carleton University, organized by students for a women\u2019s studies class focusing on activism. Then in July, Keon\u2019s \u201cGoddess Project\u201d was displayed at Ottawa\u2019s Stepping Stones Art Gallery. Both projects featured casts of women of all shapes and sizes who had been through various traumas or challenges, including sexual abuse, rape, mastectomies, eating disorders and physical disabilities. The casts were anonymous, but each was accompanied by a plaque detailing the subject\u2019s story.<\/p>\n \u201cI hope that women can look at their bodies differently, that they can celebrate their bodies and maybe celebrate things like that they\u2019re healthy, that they can walk, that they\u2019re strong,\u201d said Keon.<\/p>\n \u201cBy getting casted, it really gave me a chance to see myself from the outside,\u201d said Anna B\u00e9langer, who had her cast done by Keon.<\/p>\n She said getting the chance to see her body as it really was completely changed the way she felt about herself, for the better.<\/p>\n Body casting is an effective tool in feminism because it doesn\u2019t go deep into theoretical issues, said Patrizia Gentile, a professor of women\u2019s and gender studies at Carleton University. It is engaging, easily understood and accessible for a wide audience. It powerfully puts forth a feminist message by \u201cvisually representing the diversity of women\u2019s bodies in an immediate way,\u201d she said.<\/p>\n Gentile pointed out that women\u2019s bodies have traditionally been thought of as weak and inferior, and to challenge these ideals by proudly and unapologetically displaying them delivers a crucial message about accepting the great diversity of the female form.<\/p>\n The women whose vaginas are included in the wall are a real representation of diversity. There is every race, sexual orientation and age \u2013 the youngest being 18 and the oldest 76.<\/p>\n There are also six transgendered individuals included: three male-to-female transsexuals who have undergone gender reassignment surgery, and three female-to-male transsexuals who were undergoing hormone therapy at the time they were cast.<\/p>\n McCartney says he feels the absence of a victim of female genital mutilation is a real gap in the wall. He is actively searching for such a woman to participate, but much to his disappointment, no one has yet come forward. He says he sees that as a missed opportunity for drawing attention to the \u201cbarbaric practice.\u201d<\/p>\n The Great Wall of Vagina not only encourages the acceptance and celebration of each unique woman, said Gentile. It and similar projects serve to de-mystify the genitalia and challenge taboos about vaginas by displaying them outside a sexual context.<\/p>\n McCartney, who considers himself a feminist, said he\u2019s very glad to have helped women think more positively about their bodies. \u201cIt is humbling,\u201d he said. \u201cIt thrills me that I have done something right with my life. It is easy to change peoples\u2019 lives for the worse, but to actually change them for the better on a grand scale is a miracle, it\u2019s amazing.\u201d<\/p>\n Related Links<\/p>\n![\"Coloured](\"http:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/bodycasting-photo5.jpg\")
\n Julie Keon\u2019s \u201cGoddess Project\u201d: casts and stories from a variety of different women.<\/p>\n![\"Julie](\"http:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/bodycasting-photo32.jpg\")
\n Keon adds plaster to strengthen a cast before she paints it.<\/p>\n![\"Jamie](\"http:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/bodycasting-photo22.jpg\")
\n McCartney at work on a body cast: \u201cI capture people as they are.\u201d<\/p>\n