{"id":6802,"date":"2013-04-19T07:53:00","date_gmt":"2013-04-19T07:53:00","guid":{"rendered":"http:\/\/www.cusjc.ca\/capitalarts\/?p=6802"},"modified":"2013-04-19T12:54:10","modified_gmt":"2013-04-19T12:54:10","slug":"let%e2%80%99s-all-go-to-the-drive-in","status":"publish","type":"post","link":"https:\/\/www.cusjc.ca\/capitalarts\/?p=6802","title":{"rendered":"Let\u2019s all go to the drive-in"},"content":{"rendered":"<p class=\"lead\" style=\"text-align: left;\">The lot at Oakville\u2019s 5 Drive-In can hold 1,000 cars at full capacity. On discount nights during the summer (Tuesdays and Thursdays), the drive-in usually turns away a couple hundred cars. Often, the wait to enter is so long that the line of idling vehicles snakes by the massive parking lot of the Silvercity theatre a few blocks away.<\/p>\n<p class=\"lead\" style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/Drivein-W13-photo1.jpg\" alt=\"Drive-in screen\" width=\"350\" height=\"256\" \/><\/p>\n<p class=\"photocutline\" style=\"text-align: left;\"><strong>Big screen, big difference.<\/strong> Many Canadian drive-ins offer screens that dwarf an IMAX screen, without the IMAX surcharge.<\/p>\n<p style=\"text-align: left;\">How can this summer moviegoing pastime keep up with the giant multiplex down the street? The answer: lower pricing \u2013 kids\u2019 tickets are just $2 \u2013 and nostalgia. Brian Allen, whose Premier Theatres operates the 5 Drive-In as well as locations in Barrie, Hamilton and London, insists on playing a cheesy 1950s commercial with a dancing hot dog before the feature presentation. Otherwise, he says customers will complain.<\/p>\n<p style=\"text-align: left;\">\u201cPeople love drive-ins,\u201d Allen says. \u201cThe drive-in gives you the  feelings of simplicity and serenity that audiences don\u2019t get anymore. We  offer something that is very unique and very vintage. The demand is  still there.\u201d<\/p>\n<p style=\"text-align: left;\"><em> <\/em><\/p>\n<p style=\"text-align: left;\">Several of Canada\u2019s 56 drive-ins are still pulling in strong business, even as attendance at movie theatres declines across the country. Allen says that his chain of theatres had its biggest year ever last summer. The past year also saw the highest grosses in recent times for the Starlite Drive-In in Grand Bend, Ont., as well as the Port Elmsley Drive-In, located an hour south of Ottawa. Starlite owner Allan Barnes added a second screen last spring to ensure that hit movies could play beyond the two-week industry standard.<\/p>\n<p style=\"text-align: left;\"><strong> <\/strong><\/p>\n<p class=\"subhead\" style=\"text-align: left;\">Low price, high standard<\/p>\n<p class=\"quote\" style=\"text-align: left;\">\u2018People love drive-ins. They give you the feelings of simplicity and   serenity that audiences don\u2019t get anymore.\u2019 \u2013 drive-in owner Brian Allen<\/p>\n<p style=\"text-align: left;\">Allen\u2019s business is just one instance of a drive-in reeling in big crowds during a time when Canadians are more likely than ever to wait and see blockbuster movies at home. Although North American movie theatres sold $10.2 billion worth of tickets in 2011, that figure is clouded by 3D and IMAX surcharges. In fact, 2011 was the least-attended year for movie theatres since 1995, according to revenue tracking website Box Office Mojo. Industry analysts predict that the steady rise in ticket prices and the success of cheaper home viewing options like Netflix have made attendance dip.<\/p>\n<p style=\"text-align: left;\"><strong> <\/strong><\/p>\n<p style=\"text-align: left;\">However, Canadian drive-ins located near urban markets have resurged in recent years, helped by discount pricing. While Silvercity charges close to $10 for a kid\u2019s ticket per show, children age six to 12 can go to the 5 Drive-In for just a toonie and get a double feature.<\/p>\n<p style=\"text-align: left;\"><strong> <\/strong><\/p>\n<p style=\"text-align: left;\">Allen says that the films are not the only driving factor of his business. He says that the \u201cpersonal sovereignty\u201d that audiences get at a drive-in makes the experience worthwhile. \u201cPeople come every week. Our following is so loyal,\u201d Allen says. \u201cThere\u2019s a real sense of community. There\u2019s very few reasons for different groups to assemble anymore and the drive-in offers that. People have such an emotional connection to the [drive-in]. Who has an emotional connection to a Cineplex?\u201d<\/p>\n<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/drive-W13-photo2.jpg\" alt=\"Brian Allen\" width=\"350\" height=\"263\" \/><\/p>\n<p class=\"photocutline\" style=\"text-align: left;\">Premier Theatres owner Brian Allen shows off a hard drive that carries a new release. Instead of needing a projectionist and several massive reels of film, Allen can plug this portable hard drive into a digital projector and let a film play unsupervised.<\/p>\n<p style=\"text-align: left;\">Although drive-ins are frequently thought of as an arcane pastime, there are still more than 400 sites operating throughout North America. When Statistics Canada last surveyed theatre attendance in 2006, attendance at national drive-ins had grown more than 20 per cent from 2003. These gains coincided with a 6.9 per cent drop in admission price and five new locations opening.<\/p>\n<p style=\"text-align: left;\">The latest drive-in to prosper in Canada is Stevie Rae\u2019s South Western Drive-In. The theatre opened for business temporarily in Tilbury, Ont., last summer. Although the theatre was scheduled to halt construction only for a two-week preview in July, a town permit later extended this lease to two months, due to bigger-than-expected crowds on opening week.<\/p>\n<p style=\"text-align: left;\">Kelly Impens, who owns the drive-in with her husband, Steve, says that a lack of nearby family entertainment has helped the theatre thrive. There hasn\u2019t been a drive-in near Windsor since 1989. \u201cIt\u2019s been gone for so long that everybody appreciates it coming back,\u201d she says. \u201cThere were a lot of people that grew up on the drive-in, and I think they started to go away because it was hard for [these theatres] to get the first-run movies, which is totally possible for the drive-ins now.\u201d<\/p>\n<p style=\"text-align: left;\">Social media helped to spur demand for the new theatre. Stevie Rae\u2019s had close to 5,000 Facebook fans before it opened its gates last July. The drive-in\u2019s first screen accommodates 178 vehicles, while a second, smaller lot is set to open in the spring.<\/p>\n<p style=\"text-align: left;\"><span class=\"subhead\">The demand for digital<br \/>\n <\/span><\/p>\n<p class=\"quote\" style=\"text-align: left;\">Many of Canada\u2019s 56 drive-ins still pull in strong business,   even as attendance at movie theatres declines nationwide.<\/p>\n<p style=\"text-align: left;\"><strong> <\/strong><\/p>\n<p style=\"text-align: left;\">Some drive-ins are doing so well that their owners have already raised enough money to install digital projectors. This year, Hollywood studios will ship new releases only on hard drives that can be shown on these projectors. This way, distributors can save thousands of dollars normally spent on film reels by making a hard drive copy for about $60. Many Canadian drive-in owners have already upgraded; however, this shift will make it difficult for smaller, independent theatres to stay in business.<\/p>\n<p style=\"text-align: left;\">Starlite owner Allan Barnes says that digital technology is an annoyance. \u201cIt\u2019s a technological change we didn\u2019t need,\u201d he says. \u201cIt\u2019s not offering anything more to the customers in terms of quality presentation. The only reason it looks better is because it\u2019s brand-new equipment.\u201d<\/p>\n<p style=\"text-align: left;\">Allen, who spent $80,000 apiece on digital projectors for his drive-ins\u2019 11 screens, disagrees. He tested out the different formats by screening a reel of 35-millimetre film on one screen and a digital copy next to it. When he contrasted the picture side-by-side, Allen says he was surprised by the difference. \u201cIt was like an old floor wax commercial,\u201d he says. \u201cThe 35mm looked yellow against the digital. The digital was white. The colours really popped.\u201d<\/p>\n<p class=\"alignright\" style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7836\" src=\"http:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/drivein-W13-photo32.jpg\" alt=\"Cars in the late afternoon\" width=\"350\" height=\"233\" srcset=\"https:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/drivein-W13-photo32.jpg 350w, https:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/drivein-W13-photo32-300x199.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/p>\n<p class=\"photocutline\" style=\"text-align: left;\"><strong>Field of dreams.<\/strong> Audiences embrace the outdoor setting and the low prices, and some drive-ins are thriving.<\/p>\n<p style=\"text-align: left;\">This upgrade can be an expensive fee \u2013 more so than for multiplexes. The cost for regular exhibitors to buy new digital systems is between $50,000 and $75,000 per screen, less than what Allen paid. Due to the outdoor location, the massive screen size and the longer distance from the booth to the screen, drive-in owners need projectors that are more powerful. While cheaper equipment is expected to hit the market for screens less than 30 feet wide, many drive-in screens are larger than that.<\/p>\n<p class=\"alignright\" style=\"text-align: left;\">\u00a0<\/p>\n<p class=\"photocutline\" style=\"text-align: left;\"><strong> <\/strong><\/p>\n<p style=\"text-align: left;\">Even though many are still pulling in strong business, some of Canada\u2019s 56 drive-ins are bound to close this year. The cost of moving to digital could drive nearly 20 per cent of all smaller theatres out of business. Meanwhile, Canada\u2019s two largest film exhibitors \u2013 Cineplex Entertainment and Empire Theatres \u2013 have converted nearly all of their auditoriums to digital.<\/p>\n<p style=\"text-align: left;\">Regardless of these closures, Allen insists that the drive-in can still flourish as a spot for Canadians, since owners can cater to audiences in original and unusual ways. Among the features at the Premier drive-ins are a beach volleyball court and a playland area for kids. \u201cThere\u2019s very few reasons for different groups to assemble anymore, and the drive-in offers that,\u201d Allen says. \u201cPeople can bring their babies; people can smoke; people bring their puppies. We have dog stops for all the dogs&#8230;You give them free kibble. We do all that kind of stuff that gives people a warm, fuzzy feeling. It\u2019s a unique business. We let people experience the uniqueness in their own way.\u201d<\/p>\n<p>\n<object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"650\" height=\"400\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"passedTimelines\" value=\"488238\" \/><param name=\"allowScriptAccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.timetoast.com\/flash\/TimelineViewer.swf?passedTimelines=488238\" \/><embed type=\"application\/x-shockwave-flash\" width=\"650\" height=\"400\" src=\"http:\/\/www.timetoast.com\/flash\/TimelineViewer.swf?passedTimelines=488238\" allowscriptaccess=\"always\" passedtimelines=\"488238\"><\/embed><\/object><\/p>\n","protected":false},"excerpt":{"rendered":"<p>After decades of barren lots, Canadian drive-ins are now getting sellout crowds. Yet how do these moviegoers\u2019 relics survive, even as theatres everywhere are going digital?<\/p>\n","protected":false},"author":54,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-6802","post","type-post","status-publish","format-standard","hentry","category-all"],"_links":{"self":[{"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=\/wp\/v2\/posts\/6802","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=\/wp\/v2\/users\/54"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6802"}],"version-history":[{"count":91,"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=\/wp\/v2\/posts\/6802\/revisions"}],"predecessor-version":[{"id":8245,"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=\/wp\/v2\/posts\/6802\/revisions\/8245"}],"wp:attachment":[{"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6802"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6802"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6802"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}