{"id":8259,"date":"2014-03-05T15:04:36","date_gmt":"2014-03-05T15:04:36","guid":{"rendered":"http:\/\/www.cusjc.ca\/capitalarts\/?p=8259"},"modified":"2014-03-11T16:05:58","modified_gmt":"2014-03-11T16:05:58","slug":"from-daycare-to-drag-moonlighting-in-the-capital","status":"publish","type":"post","link":"https:\/\/www.cusjc.ca\/capitalarts\/?p=8259","title":{"rendered":"From daycare to drag: Moonlighting in the capital"},"content":{"rendered":"<p class=\"lead\">Shade Nyx stands outside the burlesque venue where she\u2019s performing and takes a drag out of the cigarette in her hand, which is strictly a social habit, careful not to get any ash on the leather and latex of her costume. Her leather corset is done up tightly, emphasizing a curvy figure; she has fishnets on her bare legs and a dog collar with matching leash on her neck. Looking over, she spots a familiar face from earlier that day: a teacher at the daycare where she picked up the neighbourhood kids she babysits after school. \u201cOh, hey, Roseanne!\u201d she calls out \u2014 casually sparking the conversation that will lead to her current work as a supply daycare teacher (in addition to her day work as a make-up artist at Sephora and moonlighting as a fetish burlesque dancer at night). Most would find it exhausting to divide their lives into three different worlds, but it\u2019s much easier when the three employers all know about each other, and even better when they don\u2019t care.<\/p>\n<p>\u201cShade Nyx\u201d is her stage name, of course (<em>nyx<\/em> meaning \u201cnight\u201d in ancient Greek), and is the name that she requests be used in this article.\u00a0\u00a0Currently she is with Bourbon &amp; Spice, a cabaret-style burlesque troupe that performs in clubs and bars around Ottawa. One of the seven burlesque troupes occupying Ottawa right now, Bourbon &amp; Spice is notable for placing theatrics and story elements above the blatant stripping associated with burlesque.<\/p>\n<figure id=\"attachment_8466\" aria-describedby=\"caption-attachment-8466\" style=\"width: 294px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/Wrap-Shade-Nyx-Photo-Courtesy-of-Shade-Nyx.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-8466 \" alt=\"Shade Nyx as she might look while in a classroom of toddlers.\" src=\"http:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/Wrap-Shade-Nyx-Photo-Courtesy-of-Shade-Nyx-294x300.jpg\" width=\"294\" height=\"300\" srcset=\"https:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/Wrap-Shade-Nyx-Photo-Courtesy-of-Shade-Nyx-294x300.jpg 294w, https:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/Wrap-Shade-Nyx-Photo-Courtesy-of-Shade-Nyx.jpg 350w\" sizes=\"auto, (max-width: 294px) 100vw, 294px\" \/><\/a><figcaption id=\"caption-attachment-8466\" class=\"wp-caption-text\">Betty Page meets Dita Von Teese?\u00a0 Shade Nyx\u2019s style smoothly combines Victorian Goth and old Hollywood.<\/figcaption><\/figure>\n<p>Corsets can still fly open\u00a0to reveal elaborate pasties, but there is always a story around it. Shade describes herself as the \u201ckinkster\u201d among the four members of the troupe. \u201cI\u2019m definitely the fetish girl. My audience is geared towards the kink-positive, LGBT-friendly people.\u201d When a particular number in the show calls for whips, chains or ropes, that\u2019s when Nyx really takes center stage.<\/p>\n<p>This is evident amongst the thousands of friends, fans included, on her Facebook page, which she uses both personally and professionally. Regardless of whether they are friends and family or coworkers from either Sephora or the daycare, they can see her whole story on Facebook.<\/p>\n<p>Transparency has worked in her favour so far: Nyx has little fear of reprisal from either of her day jobs because of burlesque. \u201cI have always been upfront with my employers about what I do. I am a performer before anything else,\u201d she says.\u00a0 She admits to not flaunting her burlesque-side needlessly; still, she says, \u201cI don\u2019t censor anything.\u201d<\/p>\n<p>Moonlighting technically means a secondary job that isn\u2019t reported to the government; more often today it refers to a separate night job, done on the side, perhaps implying something secretive and indecent. It is the stereotypical notion of living a dual life: a housewife hosting brunch on the veranda by day and being a paid dominatrix in leather by night.<\/p>\n<p>For Nyx, though, there is no distinction between the two, no separation between what could be two people. \u201cI don\u2019t think there is anything wrong with it. It\u2019s all about the attitude that you have. If you\u2019re gonna act like it\u2019s your dirty little secret, then people will think you\u2019re a freak.\u201d<\/p>\n<p class=\"subhead\">A progressive way of thinking?<\/p>\n<p>A couple of decades ago, you\u2019d be hard-pressed to find that kind of optimism in a smaller government city like Ottawa. Working as a burlesque dancer, drag queen or any job in the adult night life was a guarded secret, the same as any taboo. Fortunately for Nyx, taboos break down over time, even in traditionally conservative towns.<\/p>\n<p class=\"quote\">\u2018My audience is geared towards the kink-positive, LGBT-friendly people.\u2019 \u2014 Shade Nyx<\/p>\n<figure id=\"attachment_8467\" aria-describedby=\"caption-attachment-8467\" style=\"width: 300px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-8467 \" alt=\"Shade Nyx at Sexapalooza February 2013\" src=\"http:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/Wrap-Nyx-gasp-300x205.jpg\" width=\"300\" height=\"205\" srcset=\"https:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/Wrap-Nyx-gasp-300x205.jpg 300w, https:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/Wrap-Nyx-gasp.jpg 350w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-8467\" class=\"wp-caption-text\">Nyx onstage with Michelle Kestrel Cote. &#8220;We do this for the attention. We want people to look at us.&#8221;<\/figcaption><\/figure>\n<p>The judgement, however, may still linger. Kimberly Tessier works as a make-up artist with Nyx at Sephora; while fully supportive of her colleague and friend, Tessier isn\u2019t convinced everyone is so understanding. \u201cI think people care, for sure,\u201d she says. \u201cI\u2019m from a federal government background, and I think more than [Shade] realizes, people have a lot of judgment about what others do outside of work.\u201d<\/p>\n<p>Yet this pragmatic perspective is apparently not shared by all. Chris Seabrook, Shade Nyx\u2019s boyfriend of four years, received a degree in anthropology at Carleton, later coincidentally taking an interest in sexual subcultures. He believes that Canadians as a whole might just be too indifferent to bother caring about what their neighbours and co-workers do on Friday night.<\/p>\n<p>\u201cI think in Canada we don\u2019t have a lot of \u2013isms,\u201d he says, fingers twisting his blond dreadlocks in thought. \u201cThere are some people who are truly racist, sexist or homophobic \u2014 it\u2019s out there \u2014 but most people really aren\u2019t. Some might act that way because they think they should, but really they don\u2019t give a damn. It\u2019s just not relevant to anything.\u201d<\/p>\n<p>However, indifference doesn\u2019t seem to stop misconceptions from remaining prevalent, especially regarding adult entertainment. While burlesque might be misunderstood, drag has arguably suffered the worst misconceptions, specifically about those who refer to themselves as drag queens or kings. Ron Crepin, also known by his stage name, Carmella Kature, has been a drag queen in Ottawa for three years. When going by Crepin, he is a hair stylist at an Ottawa salon. \u00a0Like Nyx, Crepin is very open about his night life: \u201cIt\u2019s on my resume; sometimes I speak with clients about it while doing their hair,\u201d he says, \u201cand sometimes they even come to my shows.\u201d<\/p>\n<p class=\"subhead\">For your entertainment<\/p>\n<figure id=\"attachment_8458\" aria-describedby=\"caption-attachment-8458\" style=\"width: 216px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/Wrap-Ron-Crepin-as-Carmella-Kature-Photo-Courtesy-of-Carmela-Kature.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-8458\" alt=\"Ron Crepin as Carmella Kature\" src=\"http:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/Wrap-Ron-Crepin-as-Carmella-Kature-Photo-Courtesy-of-Carmela-Kature-216x300.jpg\" width=\"216\" height=\"300\" srcset=\"https:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/Wrap-Ron-Crepin-as-Carmella-Kature-Photo-Courtesy-of-Carmela-Kature-216x300.jpg 216w, https:\/\/www.cusjc.ca\/capitalarts\/wp-content\/uploads\/Wrap-Ron-Crepin-as-Carmella-Kature-Photo-Courtesy-of-Carmela-Kature.jpg 350w\" sizes=\"auto, (max-width: 216px) 100vw, 216px\" \/><\/a><figcaption id=\"caption-attachment-8458\" class=\"wp-caption-text\">To fully recreate himself as Carmella Kature, Ron Crepin might begin at 10 a.m and not finish till 11 p.m. Photo by Derek Colin Hille.<\/figcaption><\/figure>\n<p>Drag is meant to be more exaggeration than imitation, and a testament to one\u2019s creativity and expression. Crepin emphasizes that those who dress in drag aren\u2019t always meaning to be realistic. \u201cTo be a drag queen, you need to entertain, and not everyone can be awed by how realistic you look as a woman. You need to go above and beyond, by creating skills and tricks that captivate the audience around you.\u201d<\/p>\n<p>Crepin performs as Carmella Kature almost weekly,\u00a0largely in gay clubs around Ottawa such as Lookout and Edge, or in other cities when he gets the chance. His shows largely comprise lip sync dance routines to Top 40 singles \u2014 yet that may change, now that actual singing has become more popular among drag queens. A single performance can take days to prepare for, including a full day of physical preparation, and can often be quite costly in unrepaid expenses for materials.<\/p>\n<p>Moonlighting jobs like burlesque and drag share two big similarities. The first is that they are jobs that don\u2019t make a lot of money; both Crepin and Nyx say they couldn\u2019t make a living on just the one job.\u00a0\u201cI\u2019ve been working for three years in drag, and I only make $75 a show,\u201d says Crepin. \u201cYou\u2019re really just earning on tips, which is why you have to be a really good entertainer.\u201d<\/p>\n<p>Nyx says she can earn anywhere between five dollars and four hundred dollars for one show, largely depending on outside factors such as the time of year and the amount of publicity done.<\/p>\n<p>The other similarity is that they are both passions, and provide that thrill of the spotlight.\u00a0 It\u2019s this thrill that makes everything else \u2014 the energy required, the out-of-pocket expenses, the hazard of some people\u2019s disapproval \u2014 worthwhile. \u201cI was talking to a couple of the other girls,\u201d Nyx adds with a smile. \u201cLet\u2019s face it: We do this for the attention. We want people to look at us.\u201d<\/p>\n<p>If that is the objective, then it\u2019s no surprise that artists like Crepin and Nyx won\u2019t split their lives into two parts. As they stand in the spotlight, with the eyes of strangers, friends and even co-workers on them, it must be a thrill to know that the person onstage is who they really are, and not someone hidden away by day.<\/p>\n<p><em>Home-page photo courtesy of Bold Daniel Photography and Shade Nyx.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nobody at her day job seems to care that Shade Nyx performs as a burlesque fetish-queen by night.  Has Ottawa town finally shed some of its uptight manners? <\/p>\n","protected":false},"author":82,"featured_media":8529,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-8259","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-all"],"_links":{"self":[{"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=\/wp\/v2\/posts\/8259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=\/wp\/v2\/users\/82"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8259"}],"version-history":[{"count":49,"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=\/wp\/v2\/posts\/8259\/revisions"}],"predecessor-version":[{"id":9244,"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=\/wp\/v2\/posts\/8259\/revisions\/9244"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=\/wp\/v2\/media\/8529"}],"wp:attachment":[{"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cusjc.ca\/capitalarts\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}